The Phantom Image

Seeing the Dead in Ancient Rome

Patrick R Crowley

$105.95

Hardback

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English

University of Chicago Press
10 December 2019

History of art: ancient & classical art; Ancient history: to c 500 CE

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

By: Patrick R Crowley
Imprint: University of Chicago Press
Country of Publication: United States
Dimensions: Height: 254mm, Width: 178mm,
ISBN: 9780226648293
ISBN 10: 022664829X
Pages: 328
Publication Date: 10 December 2019
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Patrick R. Crowley is assistant professor of art history at the University of Chicago.

Reviews for The Phantom Image: Seeing the Dead in Ancient Rome

The Phantom Image is as unique as its subject matter. Crowley shows impressive command of the historiographic and theoretical background while creating a book that is up-to-the-minute in terms of contemporary sources. This is an ambitious study in its intellectual, cultural, and chronological scope that focuses on some heretofore marginalized monuments and makes them central to an understanding of Roman visual culture. --Barbara Kellum, Smith College