Scribal Correction and Literary Craft

English Manuscripts 1375–1510

Daniel Wakelin (University of Oxford)

$166.95

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Cambridge University Press
06 November 2014

Palaeography (history of writing); Literary studies: classical, early & medieval

Series: Cambridge Studies in Medieval Literature

This extensive survey of scribal correction in English manuscripts explores what correcting reveals about attitudes to books, language and literature in late medieval England. Daniel Wakelin surveys a range of manuscripts and genres, but focuses especially on poems by Chaucer, Hoccleve and Lydgate, and on prose works such as chronicles, religious instruction and practical lore. His materials are the variants and corrections found in manuscripts, phenomena usually studied only by editors or palaeographers, but his method is the close reading and interpretation typical of literary criticism. From the corrections emerge often overlooked aspects of English literary thinking in the late Middle Ages: scribes, readers and authors seek, though often fail to achieve, invariant copying, orderly spelling, precise diction, regular verse and textual completeness. Correcting reveals their impressive attention to scribal and literary craft - its rigour, subtlety, formalism and imaginativeness - in an age with little other literary criticism in English.

By: Daniel Wakelin (University of Oxford)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Volume: 91
Dimensions: Height: 229mm, Width: 152mm, Spine: 21mm
Weight: 680g
ISBN: 9781107076228
ISBN 10: 1107076226
Series: Cambridge Studies in Medieval Literature
Pages: 368
Publication Date: 06 November 2014
Audience: Professional and scholarly , Professional and scholarly , Undergraduate , Undergraduate
Format: Hardback
Publisher's Status: Active

1. Introduction; Part I. Contexts: 2. Inviting correction; 3. Copying, varying and correcting; 4. People and places; Part II. Craft: 5. Techniques; 6. Accuracy; 7. Writing well; Part III. Literary Criticism: 8. Diction, tone and style; 9. Form; 10. Completeness; Part IV. Implications: 11. Authorship; 12. Conclusion: varying, correcting and critical thinking; Bibliography; Index of manuscripts.

Daniel Wakelin is Jeremy Griffiths Professor of Medieval English Palaeography in the Faculty of English Language and Literature, University of Oxford, and a Fellow of St Hilda's College, Oxford. He is the author of Humanism, Reading and English Literature, 1430–1530 (2007) and co-editor with Alexandra Gillespie of The Production of Books in England, 1350–1500 (Cambridge, 2011).

Joint winner for Society for the History of Authorship, Reading and Publishing: George A. & Jean S. DeLong Book History Prize 2015.
Joint winner of George A. and Jean S. DeLong Book History Prize, Society for the History of Authorship, Reading and Publishing (SHARP) 2015
Joint winner of Society for the History of Authorship, Reading and Publishing: George A. & Jean S. DeLong Book History Prize 2015