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Hiron Ennes is a writer, musician and student of medicine based in the Pacific Northwest. Their areas of interest include infectious disease, pathology and anticapitalist healthcare reform. When they're not hunched over a microscope or Word document they can be found playing in the snow or playing the harp (though usually not at the same time). They're queer in every sense of the word, and they really want to pet your dog. Leech is their first novel.
So much more than the horror story it may sound like. Ennes has created a world that's fully realized and disturbingly believable, a place both futuristic in its environmental disasters but Victorian in its manners and ways. This is The Thing meets The Alienist, and to call it merely horror is a disservice, as it's beautifully written and so strangely humane one feels empathy for a virus struggling, like all the humans about it, to survive. So unique and utterly assured, I will follow this writer anywhere going forward -- Gillian Flynn, author of <i>Gone Girl</i> A wonderful new entry to Gothic science fiction, impeccably clever and atmospheric. Think Wuthering Heights . . . with worms! -- Tamsyn Muir, author of <i>Gideon the Ninth</i> Leech isn’t like anything I’ve read before. Superb writing, interesting and fresh ideas, skilful execution. Highly recommended. I’ll be reading anything Hiron Ennes writes from now on -- Tade Thompson What a unique book! Surprising turns and staggering ideas – all woven together by beautiful writing. This is one to remember -- Tim Lebbon I didn’t know a book could perfectly convey the concept of a distributed intelligence, alive and aware of each of its proxies, but Leech is proof anything is possible in good hands -- Cassandra Khaw If you’ve ever wondered what would happen if David Cronenberg and Edgar Allen Poe bumped into each other at the same parasitological conference, here’s your answer -- Peter Watts Ennes spins classic Gothic horror and fascinating science fiction into a creation that is disturbing, horrifying, and impossible to turn away from -- Brom Leech is wonderful, with a truly unique protagonist, a goeey, squicky post-apocalyptic setting, and a dose of Gormenghast gothic. Perfect for fans of Gideon the Ninth and The Traitor -- Django Wexler A tense, disturbing work of Gothic horror that embraces difficult themes of power, abuse, agency and raw survival in an unforgettably apocalyptic setting. Gory, shocking, raw – and utterly humane -- Kameron Hurley Part of me admires the sheer level of craft that Ennes put into this book, but another part of me feels it must surely have been unearthed, whole and eerie and throbbing, in a box in a dark attic. Gothically bloody, beautifully written, and sharp as a scalpel to the amygdala. I loved it -- Freya Marske Hiron Ennes's debut is an intricate, well-observed marooned-community thriller -- <i>The Times</i> Uniquely compelling -- <i>Financial Times</i> Fans of gothic horror will find a lot to love . . . Hiron Ennes juxtaposes cosily old-fashioned gothic imagery, such as snowy fields and cavernous castles, with genuinely shocking bouts of body horror . . . It's delightfully malignant, prompting questions about who the villain really is, and making Leech feel even more ambiguous and alluring -- <i>SFX</i>
