João Gilberto and Stan Getz's Getz/Gilberto

Bryan Daniel McCann (Georgetown University, USA)

$35.99

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Bloomsbury Academic USA
29 November 2018

Music; Music reviews & criticism; Jazz; World music; Individual composers & musicians, bands & groups

Series: 33 1/3 Brazil

"Most die-hard Brazilian music fans would argue that Getz/Gilberto, the iconic 1964 album featuring ""The Girl from Ipanema,"" is not the best bossa nova record. Yet we've all heard ""The Girl from Ipanema"" as background music in a thousand anodyne settings, from cocktail parties to telephone hold music. So how did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides?

Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. McCann also reveals the contributions of the less-understood participants (Astrud Gilberto's unrehearsed, English-language vocals; Creed Taylor's immaculate production; Olga Albizu's arresting, abstract-expressionist cover art) to show how a perfect balance of talents led to not just a great album, but a global pop sensation. And he explains how Getz/Gilberto emerged from the context of Bossa Nova Rio de Janeiro, the brief period when the subtle harmonies and aching melodies of bossa nova seemed to distill the spirit of a modernizing, sensuous city.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more."

By: Bryan Daniel McCann (Georgetown University USA)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions: Height: 197mm, Width: 127mm,
Weight: 188g
ISBN: 9781501323959
ISBN 10: 1501323954
Series: 33 1/3 Brazil
Pages: 152
Publication Date: 29 November 2018
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Bryan McCann is Professor of Brazilian History at Georgetown University, USA.