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Fantasies of the Master Race

Literature, Cinema, and the Colonization of American Indians

Ward Churchill

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English
City Lights Books
01 January 2001
"Chosen as an ""Outstanding Book on the Subject of Human Rights in the United States"" by the Gustavus Myers Center for the Study of Human Rights.

In this volume of incisive essays, Ward Churchill looks at representations of American Indians in literature and film, delineating a history of cultural propaganda that has served to support the continued colonization of Native America.

During each phase of the genocide of American Indians, the media has played a critical role in creating easily digestible stereotypes of Indians for popular consumption. Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for ""civilizing the savages,"" stripping them of their culture and assimilating them into the dominant society. Now, in the final stages of cultural genocide, it is the appropriation and stereotyping of Native culture that establishes control over knowledge and truth.

The primary means by which this is accomplished is through the powerful publishing and film industries. Whether they are the tragically doomed ""noble savages"" walking into the sunset of Dances With Wolves or Carlos Castaneda's Don Juan, the exotic mythical Indians constitute no threat to the established order.

Literature and art crafted by the dominant culture are an insidious political force, disinforming people who might otherwise develop a clearer understanding of indigenous struggles for justice and freedom. This book is offered to counter that deception, and to move people to take action on issues confronting American Indians today.

""One of the most outspoken of current Native American activists, Churchill . . . is an amazingly consistent and perceptive writer."" -Publishers Weekly

""Ward Churchill has long since proven himself to be one of the most eloquent and powerful spokes[people] for American Indian rights."" - Russell Means

Ward Churchill has achieved an unparalleled reputation as a scholar-activist and analyst of indigenous issues. He is a political activist and an author of numerous books, including A Little Matter of Genocide, Struggle for the Land, and Fantasies of the Master Race."
By:  
Imprint:   City Lights Books
Country of Publication:   United States
Edition:   2nd Revised ed.
Dimensions:   Height: 215mm,  Width: 152mm,  Spine: 15mm
Weight:   368g
ISBN:   9780872863484
ISBN 10:   0872863484
Pages:   261
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Ward Churchill has achieved an unparalleled reputation as a scholar-activist and analyst of indigenous issues. He is a Professor of American Indian Studies at the University of Colorado, Boulder, a leading member of AIM, and the author of numerous books, including A Little Matter of Genocide, Struggle for the Land and Fantasies of the Master Race.

Reviews for Fantasies of the Master Race: Literature, Cinema, and the Colonization of American Indians

As much about hope and dreams sustained against all odds as about Cuban exiles in Miami, this second novel by Bell (Saint, 1985) is often wise, warm, affecting, but never sentimental. The time is the summer of 1980, the setting Miami, where the thousands released in the Mariel boatlift wait in stadiums and church halls for family or sponsors in the Cuban community - if they are lucky or sane - to give them homes and jobs. Juan Perez has spent 20 years in Castro's prisons dreaming of the time he would be united with his wife and daughter in Florida; but when he arrives in Miami, he is bewildered, unwell, and not even sure that his wife, Carmela, will have remained faithful. Juan is taken in hand by the remarkable Dorttie, formerly Dorita, who has come to America to find her John Wayne, to enjoy rock-and, roil, and to have nail polish. I want everything you say I cannot have, she told the authorities in Cuba. A former prostitute, Dottle is streetwise and, learning that families are given preference, suggests to Juan that for the time being she calls herself his wife. Soon she decides it would be prudent to add a father - a deranged old man - and a son - a petty criminal - to the Perez family. Meanwhile, Perez's real wife, Carmela, has after all been faithful; but when Juan walks over to her home in a daze, she does not recognize him. A series of misadventures, comic and tragic, leads to Juan and Carmela finally meeting, but both have been irrevocably changed by the 20 years of separation. And Dottie finds her John Wayne - even if he is not quite what she had expected. The characters, the Cuban life in exile, and Miami itself are all there - vital and memorable. And with the triumph of that remarkable creation the Perez family, Bell has achieved another victory for innocence and the loving heart. A wonderful read. (Kirkus Reviews)


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