Papal Patronage and the Music of St. Peter's, 1380–1513

Christopher Alan Reynolds

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English

University of California Press
13 May 2022

Sacred & religious music

A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christopher A. Reynolds's fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other.

This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. Taken together, the archival records and the music sung at St. Peter's reveal a much clearer picture of musical life at the basilica than either source would alone. The contents of the St. Peter's choirbook help document musical life as surely as that musical life—insofar as it can be reconstructed from the archives—illumines the choirbook.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

By: Christopher Alan Reynolds
Imprint: University of California Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 25mm
Weight: 680g
ISBN: 9780520309258
ISBN 10: 0520309251
Pages: 458
Publication Date: 13 May 2022
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Christopher A. Reynolds is Professor of Music at the University of California, Davis. He is the founding editor of Beethoven Forum and a coeditor of I Tati Studies.