Early Music History

Volume 19: Studies in Medieval and Early Modern Music

Iain Fenlon (University of Cambridge)

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Hardback

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English

Cambridge University Press
19 April 2001

Early music (up to c 1000 CE); Medieval & Renaissance music (c 1000 to c 1600); Baroque music (c 1600 to c 1750)

Series: Early Music History

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c.1561; Urban Minstrels in Late Medieval Southern France; Royal Image-Making and Textual Interplay in Gilbert Banaster's O Maria et Elizabeth; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.

Edited by: Iain Fenlon (University of Cambridge)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Volume: 19
Dimensions: Height: 235mm, Width: 161mm, Spine: 23mm
Weight: 629g
ISBN: 9780521790734
ISBN 10: 0521790735
Series: Early Music History
Pages: 308
Publication Date: 19 April 2001
Audience: Professional and scholarly , College/higher education , Undergraduate , Primary
Format: Hardback
Publisher's Status: Active

1. Mapping the soundscape: church music in English towns 1450–1550 Clive Burgess and Andrew Wathey; 2. Fortune's demesne: the interrelation of text and music in Machaut's Il mest avis, De fortune and two related anonymous balades Elizabeth Eva Leach; 3. A new look at Old Roman chant Kenneth Levy; 4. Ritual and ceremony in the Spanish royal chapel Bernadette Nelson; 5. Urban minstrels in late medieval southern France: opportunities, status and professional relationships Gretchen Peters; 6. Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth Magnus Williamson; Reviews.