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Early Music History

Volume 18: Studies in Medieval and Early Modern Music

Iain Fenlon (University of Cambridge)

$310

Hardback

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English
Cambridge University Press
10 May 2001
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in volume 18 include: Music notation

in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna; Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king; Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs.

Edited by:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Volume:   18
Dimensions:   Height: 236mm,  Width: 159mm,  Spine: 26mm
Weight:   815g
ISBN:   9780521652018
ISBN 10:   0521652014
Series:   Early Music History
Pages:   428
Publication Date:  
Audience:   Professional and scholarly ,  General/trade ,  College/higher education ,  Undergraduate ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
1. Music notation in Archivio San Pietro and in the Farfa Breviary John Boe; 2. The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione Susan Boynton; 3. Rinuccini the craftsman: a view of his L'Arianna Bojan Bujic; 4. Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian king Tess Knighton and Carmen Morte; 5. 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem treasurer of St Martin's in Tours Agostino Magro; 6. Diplomacy and musical patronage: Virginia, Guidubaldo II, Maximilian II, 'lo Streggino' and others Franco Piperno; 7. Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs Yolanda Plumley; Review.

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